15IPS Tape Saturation Colour
- Full Kit
- Step by Step Guide
- $50 Repair Policy
The compression, saturation, and tone of analog tape. (Everything but the hiss.)
For decades analog tape was the sound of records. Then the technology changed, but our ears didn't. Things tracked on tape just sound fuller, warmer, and more "finished" by default than things tracked digitally. Bring the sound of tape back to your recordings with the 15IPS Colour.
The sound of tape comes from three things—compression, harmonic saturation, and filtering—and the 15IPS does all three.
Tape has a "built-in" compressor; that is, it can only take so much signal and anything above that limit is compressed. The 15IPS' ladder of germanium and silicon diodes recreates this soft clipping, making sounds fuller and more present in the mix adding more volume.
The "warmth" of tape comes from the harmonic saturation of both the tape itself and the electronics of the tape machine. The 15IPS' germanium diodes emulate the harmonics generated by the tape, while the discrete transistor circuitry creates the complex harmonics of a vintage tape machine.
Part of tape's distinctive sound is its non-linear frequency response: a low-end roll off with a "bump" at the cutoff frequency. The 15IPS features a 40Hz resonant high-pass filter that simultaneously makes the low-end tighter and larger-than-life.
In 2019 to celebrate the fifth anniversary of the Colour Format, we redesigned the first three Colours, the 15IPS, CTX, and JFT, to use only discrete, class-A transistor circuitry. You could think of this as the opposite of an update—we’ve reversed the technology of the Colours back to the late 60’s. The result is an authentic vintage character that’s more nuanced and refined.
For the 15IPS we also re-tuned the amount of saturation on-hand in order to widen the sweet spot of the Colour. The 15IPS mkII can still provide aggressive tape saturation when pushed hard, but is now much easier to "set and forget" than before.
- Tape-like soft limiting with NOS germanium diodes
- Multiple class-A transistor stages for richer, more complex harmonic saturation
- Resonant high-pass filter simultaneously clarifies and magnifies low end
- Compatible with the Colour format
- Yellow PCB
- Full, step-by-step assembly instructions and support
What the Pros are Saying
"Even a little bit of the 15IPS adds a warm vibe and a huge low end. Just switching it in can thicken up a kick drum, bass or even a whole mix. With more drive, 15IPS gives a great saturated tape-like squash."
-Paul "Willie Green" Womack
Wiz Khalifa, The Roots, Donnie McClurkin, Billy Woods
Only had the kits assembled for a quick test so far, but the CP5 is my new go-to pre for vocals. Can't wait to try some drums through the 15IPS module!
Love the 15IPS module. I often use it to add a little grit to vocals, but it's very good on just about anything really. Wonderful little module and I might need to get another Palette to put it on buses or ever the master bus. Fun!
This module is very cool - it acts as much like tape or tube compression as saturation to my ears. In fact, you can see the output level go down as you add the color effect. Very fat and warm. Thanks Peterson!
15IPS Tape Saturation Colour
This along with CTX and Super Filter are the most useful Colour chain I've tried for tracking and sound design. I use these three for pulling details out of synths, drums and tape loops as well as getting full out nasty and aggressive. I can't end my review without also mentioning that DIYRE has the best kits I've ever built. The instructions leave no details out and make it absolutely clear what you should be doing. I've literally only smoked a component once and it was completely my fault. I've built over a dozen kits from DIYRE and they all just power up and work!